The Hungry Red Lion

R700,00

Peder Cowenius and his late wife Ula, under the anspices of the Swedish Committee for the Advancement of African Arts anxl Crafts started the renowned art and craft centre at Rorke’s Drift in Kwazulu-Natal in 1962, followed by Thabana Li Mele Art and Craft Centre in Lesotho and Oodi Weavers in Botswana. The Hungry Red Lion is an extraordinary story of selfless commitment: Peder and Ulla Gowenius achieved what many would today consider impossible: they encouraged educated and empowered rural Africans young and old to weave, pot, carve, print and make art as a means of making a sustainable living. Some of their pupils went on to train as teachers in Sweden and then return to Kwazulu-Natal to share their knowledge. Together with their trainees, they achieved what many would today consider impossible.

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Description

One day a huge lion arrives in our parts. It has a taste for people, and since it is voraciously hungry and eats up all of us one by one. Finally, the only person left is Van der Wahl, the white dip inspector. Our cattle have to bathe, as everyone knows, otherwise they would be eaten up by ticks. What is not good is that our dip inspector likes to hurt people.

If anyone arrives late with their cows, or is not fast enough, he gets to taste the inspector’s bullwhip. He enjoys using the whip and no one can claim that he doesn’t handle it with great skill. We all remember when he flayed the skin off Tutsi from his feet to his genitals. It was only afterwards that the boy fell to the ground, and nobody who saw him then believed he would survive. And when there was nothing left the lion fell upon Van der Wahl. That was its big mistake.

Even for a very big lion, Van der Wahl too fat. He got stuck in the lion’s gullet and since he was such a rotten person his meat was putrid. The lion was poisoned, of course, and became seriously ill. It vomited and got violent diarrhea. As a result, we all came back to life. We came out in vomit and shit, all of us except Van der Wahl, who slowly rotted away so we got rid of Van der Wahl. If the lion survived, it never dared eat people again.’

We probably succeeded because we were naïve. We believed that we could accomplish something. But what was more important was that we sowed in a field where nothing had grown for some time.

Peder gowenius studied sculpting at Konstfack, Stockholm, Sweden’s largest university of art, craft and design. In 1959 he married fellow student and textile designer Ulla Kylberg (1934-2005). IN 1970 Peder and Ulla were forced to leave Lesotho due to political unrest. Having attracted the attention of the South African Security Police while in and out of South Arica, Peder was declared a Prohibited immigrant and arrested and deported. since returning to Sweden in 1978, Peder has taught art at all levels with a specific interest in developing children’s pictorial language.

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